Georg Bleikolms has long (too long?) hidden behind drums (Rizzoknor). After a few intense productions at the Theater Gessnerallee, his ego had gotten lost somewhere between writing, conceptualizing, directing, multitasking, virtuality (The Origin of Live), reality (Planet – Looking for Major Tom), psychedelics (Au Bord de Leau), and technological discontent (The Origin of Live). With plenty of energy, electronics, and live performance, his new musical journey underscores the need to let a lot of stress melt away into the sunset. What remains are the good memories and the delicacies he’s gathered over the years. It’s Techno, baby.